donderdag 2 april 2015

The story behind "Lighting Dutchman"

Songlist & Credits


It's been a year since I delivered "I Mimic Me". And now after an endless and addictive noodling situation in my homestudio, I'm going to tell the story behind them songs. It's always difficult to stop that creative process and give those babies away, but I'm also curious and excited- in a "what will happen with them?" mood. Not that I'm expecting too much...
This time I've chosen more songs than I had in mind, but I think they all fit the complete puzzle as It was meant to be.

Now JoosTVD,  what about touring? Mmmmmm...

Back to the homestudio: how did I do it?

1.Unscrew Yourself
The last song I wrote for this album. Unexpected. After strumming a lot of different D chords, I caught myself singing a simple melody to cheer me and you up! The build-up arrangements were a challenge, breaks and all, but then lightning struck. Now unscrew yourself.

2.Paranoiac With A Gun
Tense, nervous song, a bit like David Byrne's Psycho killer maybe. I wanted a more menacing, crazed voice. so a moment of rage I put down quickly and I think that's why it works. Notice the contrast with the more melodic and softer bridge (where I sing "but it's high....bullet in the sky"). Danceable.

3.Conspiracy In My Jacuzzi 
Hitchcock fantasy. A dangerous story! So I had to switch to narrator. the pitches in my voice were done deliberately. That paranoiac (pt.2) is everywhere, even in your own private bathroom.

4.Don't Do It Again
This song started out with a funky groove looping around and a few guitarchords, but it really caught fire when I wrote the melody on piano. I've noticed that I can create motives and melodies easier on piano than on guitar. Groovy.

5.Lost In The Underground
Pure Songwriting: knocked out guitar and melody parts all at once. Got this upand fast tempo! Which Arrangement? That latin touch was not difficult to choose. Melodies in the instrumental parts were found on piano. Joyful.

6.Rock'n Roll Me In Or Out
Fun fast write. This mirrors the paranoia of song 2 & 3. Blues turnaround outfit with country boots underneath it. I had lots of fun creating melodies. It always puts a broad smile on my face when I hear the first tones. Obvious video will follow...

7.Guru In A Lovetown
Satire on the narcistic way we use the media. One of the first songs I wrote that paved the way for some of punchier directions of this album. Dangerous guru charm!

8.Merenque Me Inside Out
Some ideas reveal their identity a couple years later. This is one of those ditties, where my voice didn't fit with the melody (not what I'd like to hear in my head), not until I found those latinesque melodies on the piano. Simply sung the title  which finished it. Seduction.


9.Limo
I think the first song I wrote for this album. More a vibe. I had a motive on electric piano. I used a fat wurlitzersound to get in the mood. Smooth.

Excited Dutchman

10.But Do I Miss You
Love, o my, what a serious topic... still I can't resist an old fashioned pop ballad about some lost love and I came up with one. Tried to sing with sincere vulnerability. So hard...

11.Never Get Tired
An older idea, first meant to be sung. That didn't satisfy, so I tried it the instrumental way which gave me a chance to experiment with instruments and melodies. Tireless energy.

12.Put Me To The Test
Mood: a little R&B and a smooth funky groove got me this far. A little Innercity Marvin Blues...


13.When The Chili Hits The Fan
Purpose of the song: hot (chili) humor counterbalances the heavy stuff. Just for the fun. After diner.


14.Your Hard-To-Get Got Up And Went
James Brown spoof? That chant ("hard to get"), the slow down effect on horns and funny noises did the trick. Funk me.

15.Shoeshine Boy
Rockish (classic?) ballad. And yes it's personal. Took a looooong time to get that final touch. Even played the solo slide guitar (haha). Even that is personal and not technical. Strength.

16.On A Good Day
Both relaxing and groovy song. Melodies written on the piano.

17.Live It Up For Me
My spanish guitar always brings out a certain latin charm that was the basis for this song. I found some melodic twists and turns (bridge), satisfying enough to be chosen for this abum.

18.For A Lifetime In A Daydream
Dreamy, melancholic popballad written and played in one take on piano.

Well, if you have made it this far, you can relax/ scream/ laugh/ cry/ take a leak. Fill me in!
Thanks for listening. Spread 'em folks!

Happy Dutchman



vrijdag 27 maart 2015

Your Tube!

As you all know, Youtube is a very populair streamservice, so I've taken the liberty of putting some audio- consisting 5 songs for now- up there. Audio to watch on Your Tube!

dinsdag 24 maart 2015

German Blues radio

I really liked radio as a kid. I don't listen often now, but this evening at 8 o'clock I'll be listening. Here is Radio Eins Not only I'll be on the playlist (he started the program with Unscrew Yourself), but some of my favourite great bluesplayers and singers are there too.


It's that german journalist Nathan that has added me on the playlist. He has already written some great reviews in his online Art/ Music magazine Wasser Prawda on my albums (like I Mimic Me [2014], The Ballooning Brouhaha [2013], Art Decoy The Bluebeard Boy [2012], Orson Nietes [2011], The Vanished Dutchman [2010] in the past. His review on my new album will come later this week. Wow, looking forward to this! Tune in, drop out!



vrijdag 20 maart 2015

Inside story! Questionaire

Sometimes you meet the most couraging people without seeing them face to face. Modern times I guess. Had a lovely "encounter" yesterday with a music writer (and other nice music enthusiasts, like Wim Oudijk!), who asked for an interview, well sort of..more like a questionaire. Thanks again for the nice puttings! His blog is HERE


POP'N'ROLL THE FUSION IF YOU DARE 

Thunder and lightning... A fusion you just can't ignore... He's back with a full length album... JOOSTVD is bound to get you smiling whatever style you're in... Welcome...

Sometimes it takes an orchestra,
sometimes a band,
sometimes a duo, every time it's the love for music
and this time it's just one man...

JOOST VAN DINTHER



The disappearing and reappearing
Vanished Dutchman is back with a full length album
and he made a really enjoyable music fusion
that can be tasted HERE
but you should take five to read what the man himself
had to say in his defence:

A short story about who you are and what you do...
I’m now an old(er)looking guy with a kid’s attitude.
Growing up in the seventies (listening to Roxy Music, Can and David Bowie e.a.), I followed in the footsteps of my father, whose collection of history, art books and music inspired me to make music. Now I‘m living the dream of creating songs, recording and spreading them.
I’m collecting myself too of course.

A new album every spring... What's the trick?
I love the album concept. Regular life. Breathing in and out.
Being a family man, trying to enjoy the little things. Boring maybe, not the obvious too much sex/drugs/rock’n'roll lifestyle I guess. I like the working pattern I have developed. It’s like a cycle: ideas pop up, I bring them to life and then hopefully this very intense process starts over. I’m already busy with new songs now this new album is out. Guess you have to be (and I am) kinda disciplined. Work to make it work!

Doing all this work by yourself... You must be a little crazy :) 
Why are you crazy about music?
Yes you have to be crazy! I’m addicted to sound and the “what will happen if I push this button or play that chord the whole time” method. I’m also a fervent listener and a fan of lots of great artists, like Todd Rundgren and Frank Zappa, whose individuality have educated and inspired me to do this
DIY thing.

You can take only one instrument with you. Which one? Why?
To an island? Drums (that’s maybe too heavy to carry with me, but still).
I started out as a drummer. That was the first  reall kick and my direct connection with playing an instrument. Around 1979 Stewart Copeland (Police) provided the stimulation. O my god, I can’t write songs on a cowbell! Maybe an acoustic guitar will do then.

 Admit something that makes (made) you blush?
A lot of people watching at the same time…. at the introverted me.

It's a sunny day, you feel good but real hungry, walk into a restaurant... 
What's your order?
First I’ll take a cold Belgian beer (Palm) to cool off.
If I’m really hungry I’ll order pizza… Hawaii.

How do you perform a live show?
I don’t anymore. I did with a few bands in the Netherlands from 1980 till 1995. First as a drummer, later as a frontman performing my own songs. Acting like a clown on stage. I do like performing, though I don’t see myself as a “good” performer. Not by technical standards I’d like it to be.

 Message for our viewers?
I’m always grateful to new and loyal listeners and as a musician it’s even more rewarding to get feedback on your stuff. It all helps to get better and to keep this “cycle” going. It’s an acting- reaction thing I guess. Just like this interview. Thanks for asking me!

***
Promo video of the new album
starts with a small provocation
but hey... if life gets too complicated...
and you feel screwed up... well... unscrew yourself!
Remember that!
Thank you for visiting!

zaterdag 14 maart 2015

zondag 8 maart 2015

Unscrew Yourself, video promo "Lightning Dutchman"



Yes! As I write this, the new album is in the distribution process and when approved it will arrive in a few (2 to 4) weeks. Spotify, Deezer and iTunes will be the first streamlinks, the rest will follow. Fingers & legs crossed.
Now get ready for the first promo video, especially if you've got the blues. I've got that sometimes. You'll see what I do in that case in the clip. Guess we all feel screwed up sometimes, so what if I add a "positive" Un on it so we say: Unscrew Yourself? That's it, Say it! Get involved. It's the first song you'll hear when you put on that Lightning Dutchman [2015] album. So enjoy, hope you like...


Next: The story behind "Lighting Dutchman"

zondag 1 maart 2015

Live session......

....but only in pictures. For now. A lot of work has been done there in his homestudio. Wonder which song he's singing....must be one of the new songs! Notice all the albums in the background. No, those can't be his...

Climaxing Dutchman

Jolly Singing Dutchman

"Oe" Dutchman

Percussive Dutchman
Next: Promo video!

vrijdag 13 februari 2015

Title & Covers for the new 2015 album

Beware, especially the impatient listeners, it's a longplayer (like a double album on vinyl), but relax... it consist mostly of short songs. 18 of them.  I could even choose from about thirty/forty songs. Lucky son of a ...Yes, it's been a very productive ride in my homestudio. But I'm aware...quantity is not quality.
Excited? Me?

I've been in a very electric- no, not in the heavy guitar metal way-state of mind the last year. All that bursts of inspiration, energy coming out, so I came up with this flashy title:

                                                Lightning Dutchman

sure, there are always references......a bluesname like Lighnin' Hopkins? Well, although I'm not a bluesman, I have a few blues chops in my throat, so indirectly it is) To me it sounds cool and nifty.

                                                                            
Frontcover
                                                                                                         The concept: 
Pictures have been taken by my camera-spying spouse Yola on a weekend trip, while climbing an endless dutch tower. I've dealt with the design (the black & white, lightning electricity effect) and what I especially liked about it, was the delusive perspective (upside down) of the staircase. It reminded me of the work of dutch artist Escher. The mystery of that Vanished Dutchguy. Fascinated by gravity and relativity? Take a walk into the illusion of the Penrose stairs
Now look at the covers (two frontcovers!) and tell me where the stairs are:
 


alt.Frontcover 2/innersleeve & Backcover & songlist

Excited! Me? 

Next: live session, New song, video promo "Lightning Dutchman"

vrijdag 16 januari 2015

2015: what am I here for and what can you do?

Hey, it's 2015 and here we are again: I'm in the last stages of a new TVD album. Slowly, but with the unavoidable bursts of energy (electricity!) and all the practising experiences I've endured, it is all working out smoothly.

Electric Dutchman
One thing I can't do, is to force this music and...the words.. Got one lyric about a past lovestory I can't finish. Yes, she broke my heart. Damn. But I got over it or did I(?), so the obvious, but paradoxal title "But Do I Miss You" came up. The answer? Two ways: I don't miss you at all, I miss you so bad. Dilemma. Well, that became the refrain. But for the rest it's... guess It's all about the right combination of words that have to gel together and for now they are just too cheesy! In the past I used my personal experiences as lyrics, but I try to make them less navelstaring and more "universal". That's where my goal lays here. Love and cheese, aaargh. Bold love then?
What can you do? (Throw money!) Maybe you can send me some alternative words that can give this story a litle more edge.
Really love to experiment with the homestudio though. It's just an addition to the finishing touch, like a simple palette, but with a wide range of colours to choose from if you mix them.

In the following months you can expect a few more posts, updates, so stand by me. BTW, what time is it?
Have a nice day, night or evening folks!


dinsdag 23 december 2014

Two Thousand and Fourteen

That's it, this is the end my friends......another year vanished. Let's take a walk back into, mostly my musicyear.

2014: a year of the surprising and unexspected losses:
R.I.P. actors I have enjoyed, like Philip Seymour Hoffman, Robin Williams, but so many in a short time! See a full list IMDB deathlist 2014
To many musicians I have admired, like Bobby Keys, Jack Bruce, Johnny Winter, Bobby Womack,  Jesse Winchester, Paco De Lucia, Phil Everly, Pete Seeger, Joe Cocker (!)
Full Ranker death musicians 2014

A "few" words on Jack Bruce, because he put me on another planet and back. Everyone surely knows Cream, that supergroup from the sixties. Eric Clapton was God (to his fans and media), pushed forward as the star of the band by his american  record label at the time (Atlantic).

Not everyone knows (guess after Jack's death everyone suddenly knows!) that Jack wrote the most adventurous songs and the main hits (with lyricist Pete Brown) for the group. After Cream, Jack pursued his own musical route and his main goal was to test the boundaries in composition and arrangements of a song. His unususal and complex songwriting was a commercial flop in many obvious ways. No instant hits, no white room with sunshine peeking through it. No glamour. Just adventurous music, to keep things interesting. Searching, that was Jack, who could play many instruments (cello, bass, piano, guitar) and used them in his own personal expressive way, often resulting in composing beautiful melodies. As a working musician he became a paradox of styles, as he often guested on other albums from extreme avantgarde (Carla Bley, Michael Mantler, Zappa), "pop" (Lou Reed) to almost straight hardrock (West, Bruce, Laing). The list goes on.


I was just a green kid when Cream played their last farewell concert in the Royal Albert Hall in 1968, so I was a late Jack discoverer. Indirectly, because it was not by listening to his solo albums that already took off in 1969, but through the very intensely and inspired works of Kip Hanrahan. Especially  his 1984 album Vertical's Currency did it for me. In the middle of the sterile eighties, it was such a welcome and organic contrast to discover. That beautiful soft, intense and sensitive voice of Jack's subtle singing, bossa nova styling in the midst of a ritmically masterful band and unexpected songstructures, the whole album oozes and breathes like the human spirit: I couldn't believe that this was the former Cream bassplayer. As if Kip knew how to stir up Jack's eclectic strenghts.
So I seriously went back into his work. I found a bridge to his second 1971 soloalbum, Harmony Row, because of a few new songversions from that on Vertical's Currency, like Smiles And Grins. I was immediately intrigued by the songstructures and eclectic style. After a wild and sometimes fruityless search (it was the bloody eighties remember?) I had all of his soloalbums explored, but at the same time around 1988 Jack was crimically overlooked and seemed passé.

I couldn't believe it. Luckely he came back and got the respect he widely deserved.
I insist you "meet" him. It's not an easy listen at first, but hey, take your time.
Thanks Jack, for your expression and inspiration.







2014: I Mimic Me, my latest collection arrived in april. I'm not as musical as Jack, let that be clear. He's an example for me. Who am I anyway? I can only be grateful that I can bring them albums out. Submitted a few songs to more internetradio than before. Created some funny vids. Lots of airplay, downloads & streaming again, nice words on blogs, reviews, thanks to the digital world. And thanks to you! So musicians: just stay at home folks and meet new people!


By november I put out a short instrumental album, only exclusively on Jamendo, which also specialises in license music. (backgroundmusic/ multimedia projects) So much stuff up there, take a look:
For Your Pleasure Vol.1  

2014: Same as it ever was. Time to listen? Yeah, I follow a few interesting blogs for the more obscure, artists from the past mostly. The missing pieces in my collection.  
The new 2014 albums? Good to see so many great young, talented and enthousiastic musicians these days learning from the roots. A critical note here. Too much to listen to. So many contests. But just too little to mention, sorry. Guess as you get older, you think you've heard it all, haSo many releases now are so highly acclaimed by some of the press- so the hashtags on their tweets make the stories popular, it's so ridiculous. Especially in the more "o so intellectual thinking" musicscene. Interesting, fresh, hip. Yes, I'm talking indie. No, I'm not an "indie" fan at all. Is it really Indie in Independent? Or in style? Post Rock? Post what? Empty, vague, confusing and hypocritic words. They talk about it all the time, so therefore it becomes commercial. For me the word "Indie" is just as boring mainstream as U2 became! U2? There, where the money goes. Industry sucks.
It's just music, listen to it. Don't talk just head. Same as it ever was.

Jack is one of the main reasons why I love the searching, the craft of songwriting. 
As Joe Cocker sang his heart out: that's the true artist.
And hey, my list of 2014 consist mostly (!) old "boring" veteran musicians with that consistent craft!
One thing they have in common: they don't have to scream to get attention.

Hipster albums of 2014:

Ben Sidran- Blue Camus

You don't have to shout to be cool! This is smooth, intimate, hipster to the core, very organic. 70(!) old  jazzy beatpoet Ben did it again and his son plays the drums. Hooray!

Leo Sidran- Mucho Leo

Talking about his son (aha the only younger hipster here), what a pleasant surpise to hear these warm, subtle songs.

Loudain Wainwright III- Haven't Got The Blues (Yet)


Nothing new, but still fresh with words. Loudon already stole my heart with his painful sense of humor. Typical: sometimes uplifting, but bitchy folksy, melancholic next. Reflective as a mirror.

Herb Alpert- In The Mood

Yes I'm in the mood. It works, if you're in need of some. Production surprises in colourful arrangements. Herb knows and blows: warm, easy, smooth, just too subtle to call it ordinary muzak.

Neil Young- Storytone

Some critics have slaughtered this cheesy album. I think it's his best since I don't know when. More ambituous productionwise (strings like on Harvest). The full strings/ orchestra is such a beautiful contrast to his fragile delivery.

Ben Watt- Hendra
                           
Everything but the boy. Ben creates a haunting, intimate atmosphere. John Martyn comes to mind.          

Jack Bruce- Silver Rails

Needs repeated listens. Jack's personal vision. Worth it.



Neil Finn- Dizzy Heights

Surprised by this atmospheric, trippy sound. Neil tries to lift up the songs, reaching many dizzy heights.


Quoting former post 2013:"And for the sensational background information, here's a few books I've read this year. As usual, mostly sleezy (auto)biographies. Recommended:"

Victor Bockris- Lou Reed
Donald Fagen- Eminent Hipsters
Graham Nash- Wild Tales 
Rod Stewart- Autobio
Tracey Thorn- Bedsit Disco Queen
Steve Martin- Born Standing Up
David Browne- Fire & Rain 1970
David Byrne- Bicycle Diaries
Don Felder- Heaven & Hell
Judy Collins- Sweet Judy Blue Eyes
Keith Richards & James Fox (Contributor) - Life
Paul Stanley- Face The Music A Life Exposed
Ace Frehley- No Regrets
Peter Criss- Makeup to Breakup
Nick Mason- Inside Out
Rob Chapman- A Very Irregular Head Syd Barrett
Harry Shapiro- Jack Bruce Composing Himself